A documentary on how composer Kevin MacLeod unwittingly became one of the most heard composers in the world by releasing thousands of songs for free.

Drama series about events at an exclusive London hotel.

A look at both the sound of the movie and the influences of Elvis Presley

The fascinating, and often hilarious, inside story of the technology-driven disruption that changed music in the late '90s and early 2000s," according to The Hollywood Reporter. The documentary looks at the technology that made it possible for millions of young people to quench their thirst for new music by simply downloading it for free.

Roy Strong, Director of the National Portrait Gallery. discusses the appearance and personality of six English sovereigns from Tudor times to the age of Victoria and asks to what extent the portraits reveal their character.

The Disappearance of Kevin Johnson is a mockumentary on the disappearance of a fictitious wealthy British film producer, Kevin Johnson, who is dealing in sex, lies and blackmail in Hollywood.

As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible.

A politician's campaign manager (Speakman) discovers that the candidate (Shatner) is a front for a military organization plotting a political overthrow of the government. In trying to expose the candidate's right-wing activities, he puts himself and his family in danger of being killed.

A passionate news reporter rallies against the epidemic of gun violence, yet fails to notice the symptoms in her own family.

The first part puts two families of puppets at odds over a job promotion; the second features Meryl Streep in romantic duets with a dummy (who is voiced by Adam Guettel); the third shows the legged objects, embodied by the Alvin Ailey 2 company, taking the stage to audition for their roles. With no movie technique (but a great cameraman, Ed Lachman), Simmons has assembled her interests as if in a toy chest: old movies and TV commercials, Broadway songs, good-to-feel-bad bathos, and the effluvia of domestic life. Whether intentionally or not, Simmons has made a film about the inevitable post-Warhol art-world nexus of irony, finance, and glamour, a luxury object of empty intentions that the viewer fills with his own need for art, just as the second act’s real-world woman endows a dummy with her romantic hopes and dreams.